Saturday, October 22, 2016

BATS OVER BAMAKO

by Arthur Kerns


This is an excerpt from my West African travel journal and dated May 28, 2000. I had just learned that my flight to Timbuktu by bush plane was canceled because a foot-wide crack appeared on the runway. Even the ex-pat Russian pilots wouldn’t chance a landing.

In May it gets hot in Bamako, the capital city of Mali. A cool 105 degrees in the shade, but if we have a good rain, not only is the air refreshed, but also the temperature drops to a comfortable level. The scent of blossoms mixes with the dusty air to give a distinctive scent. The land is semi-arid, not quite like Arizona, more Southern California.

The people smile a lot and speak French with a pleasing accent. The women wear beautiful, bright flowing caftans with twirled turbans on their heads. Men and women balance baskets, boxes, and large bottles on their heads as they move along the streets with a fluid, easy grace. Even though there are city sidewalks, most locals prefer to walk along the edge of the streets, side-stepping the litter. Perhaps this practice is left over from their village days when they walked their country roads.

Outside the window of my French colonial hotel that has seen better days, the streets of Bamako are a mix between paved for the main thoroughfares and dirt for the side and minor streets. The rainy season makes travel a slog along the dirt streets.
Flowering trees provide a splash of color to this city. Buildings are salmon-colored and bright white minarets stand out against the green foliage. Small shops and stalls line the streets; with enthusiastic people selling all matter of goods. It seems that every block has a street lined with rows of stalls on both sides. The city of Bamako has been described as one big market.





Soirées in Bamako are interesting and telling of the living experience here. They are held on outdoor patios when possible. I suppose, just to accommodate the number of guests. When they are official functions, coats and ties are in order. I went to one without a jacket and felt out of place. The local guests appear more comfortable opting to add a splash of native attire. However, we all visibly perspired, from the combination of heat and alcohol.

Like most cocktail parties, it's hard to remember the names of all the people you meet. Even more so when you are dealing with foreign diplomats with unfamiliar names and accents. The conversation begins with something that you two can latch onto, like a sport, a hobby; the weather is always a good initial start but is dropped quickly for some other topic. The main goal is to act interested in what this person is saying. In turn, you must stay witty or touch on the profound while gathering the information you want. When the well runs dry you move on. Another very important thing is to keep track of the food that's being passed around on trays. On rare occasions, you can actually discover something that resembles what you find at home, or even tastes familiar. Still, one must be careful. The next day that interesting hors d'oeuvre may come back to visit you.
Here body odor is quite noticeable. Bathing for some people is lower on the lists of necessities: finding food or seeking safety being higher on the list of life’s concerns. Nevertheless, the odor is still there, surprising you as you walk out the door of your hotel room, or pass a table in a bar or restaurant. It lingers like perfume. You can leave your hotel room and walk down the hallway and suddenly; there it is, hanging invisibly in the air around you. The lasting presence of someone who passed ten, twenty minutes, perhaps a half-hour before. Sort of like passing by a bar stool where a Frenchman had smoked a Gauloises.
During the day I’d drop by my hotel room and realize that someone had recently been in the room. Not the cleaning staff, someone else. I advised the security officer at the embassy and she said, don’t worry, no one is trying to steal anything. You are a strange person from America and they find what you wear, read, and possess interesting. You are a curiosity.

The dominant flying creature in downtown Bamako is the Fruit Bat. This sucker is immense, with a wingspan of at least five feet. A few doves fly around, resembling the American white wing dove, but bats prevail. They swarm in groups mostly in the morning and evenings seemingly with no apparent destination. When they do land, they hang upside down from trees lining the streets, chirping like birds. They crawl from branch to branch, eating mangos. Some bats hang alone, but the majority gathers in tight, dark, furry pods consisting of three to eight bats.
They have light gray backs, black wings, and buff-yellow patches on the chest. Red tongues hang out between small pointed white teeth. A frightful presence even if you don’t have a hangover.
As I write, I hear a gunshot outside the window. Peering out, I see a group of ten or so youngsters standing in the middle of the street. One of the boys has fired a single-shot shotgun. A bat hits the street, flaps a moment, and then lies still. In the tree above, the bats scream and flap off in all directions. The boys run over and retrieve the dead animal and stuff it in a black sack. Bamako bush meat.

The Appaloosa Bar in Bamako is a main center of ex-pat social life, especially on Wednesday night. It is along an unpaved lane next to a series of other restaurants, one a popular Thai establishment, run by a pleasant Belgian and his Thai wife. The Appaloosa is clean, has a number of booths and tables and sports flags and other totems of national identification that patrons donated to the establishment. The music is American, seventies-on rock, played not too loudly and gives a visitor like me a mellow feeling. The beer is cold and good. There are a lot of Americans, but mostly French and other nationals who, if they don’t have some good stories to tell—they certainly look like they do—will make them up. A comfortable hangout for spies.

Arthur Kerns is a retired FBI supervisory special agent with a career in counterintelligence and counterterrorism. A past president of the Arizona chapter of the Association of Former Intelligence Officers (AFIO) his award-winning short fiction has appeared in numerous anthologies. He is a book reviewer for the Washington Independent Review of Books. Diversion Books, Inc. NY published his espionage thrillers, The Riviera Contract, The African Contract and The Yemen Contract.
See more in author’s website, www.arthurkerns.com

Saturday, December 20, 2014

DOES THE UPCOMING HOLIDAY SEASON DISTURB THE WRITING PROCESS?


by 

Arthur Kerns



Before my knees gave out, I ran on a regular basis at a certain time of day. If I skipped my run, for the rest of the day I walked around having a nagging feeling that something was missing in life.
Same thing with writing. I have to write every day at a certain time or I get very antsy. When something or someone causes a change in my program, irritation sets in.

Now when the holidays arrive one is faced with all sorts of disruptions. Visitors, family, relatives arrive and demand attention—right when you’ve had a great breakthrough in that manuscript. Sure you need a break from the routine now and then to regroup and reboot, but aggravation still sets in.

Then there’s the situation when you go on an extended trip to celebrate the holidays. Frustration begins simmering under the surface. Should I take my computer, or notebook, or my rewrites? What will everyone think of me when I barge in with all my paraphernalia then look for a quiet place to work?

Now if you try to explain all this to a non-writer invariably you’ll be accused of selfishness, then thrown an incredulous look, or worse hear the expression, “Oh, you writers.”

Yes, there are times when situations during the holidays inspire a story, perhaps a comedy or a murder. However, does it become a great catalyst for the next story? Usually not for me, but then again there was that time when we traveled to New York City for Christmas and . . .

Friday, October 10, 2014

Today’s Ebola Crisis in Fiction

by

Arthur Kerns


Unfortunately, at times reality mirrors fiction. As the story of the Ebola crisis develops in the news, I went back to the scene in my thriller, The Riviera Contract, published in year 2013. Hayden Stone’s companion CIA case officer Sandra Harrington tells him that the terrorists intend to spread the Ebola virus throughout major US cities. You may find the following excerpt interesting if not unnerving:

Stone recalled images of the village of Mnemdo, on the border of Sudan and the Congo. Three years before. His team hadn’t needed map coordinates to find the sad collection of huts; they’d just headed toward the circling vultures. He remembered standing in the center of the village and feeling the eerie silence broken only by the scavengers arguing over the corpses scattered on the hard-baked ground. The three CIA technicians, one still barely alive, lay in a low-hanging thatched hut. Blood flowed from all their orifices: even, it seemed, from the sockets of their eyes. Before the last man died, they watched him go through mental and physical convulsions. He had pleaded for them to shoot him. Instead, they’d waited for him to die, and then burned the village and all the bodies.

“I understand it’s bad shit. No cure, right?” Sandra asked.
“So far, no. In Africa, some say it’s bad Juju. Even the scientists don’t know where it originates, only that if a person touches or eats a piece of contaminated bush meat, say a chimp, they can catch the virus.”
“What are the chances they’ll spill some of it?” Sandra said, more to herself. “Best for the French to wait for those biohazard people.”
“Handling Ebola is tricky. All research is done in a maximum biological containment setup known as Biosafety Level Four.”
She studied him. “You know a lot about it.”

“I was exposed to it, so I learned all I could.” Stone thought for a moment. “The way I see it, Hassan plans to ship the virus to the States and then spread it. God knows how. Can you imagine the number of deaths? Horrible deaths?


Wednesday, June 11, 2014

AFRICA CAN BE A DANGEROUS PLACE

AFRICA CAN BE A DANGEROUS PLACE
ASK THE PEOPLE WHO LIVE THERE

Art Kerns


While doing research for my latest novel, The African Contract, I ran across an entry in one of my travel journals. It recorded a visit to a friend’s village miles away from the nearest African city. Strolling among the homes, Dingane introduced me to his relatives and friends, while giving me a history of the region.
            I asked about health services and he told me they were limited. “Malaria, is the main illness,” he said. “Then there is dengue and Yellow fever, but there are other concerns.”
            “What other problems do the people have here” I expected to hear about bandits, rogue soldiers, or corrupt officials.
            Dingane smiled and gave his hand gesture that meant the answer would not be coming quick and simple. “Your people travel here to see Africa’s wildlife. You take photos, enjoy seeing them, and then leave. We are happy you come and enjoy them, but we must stay and live with them.”
            A group of children ran up and interrupted him. They laughed and wanted to touch me, the foreign visitor.
            When we were alone again, Dingane continued. “The snakes are always a danger. They come into our homes, lie in wait on the trails, hang from trees.”
            “Cobras scare me,” I said.
            “The Black Mamba scares us.”
            I remembered speaking with a herpetologist who told me the mamba was the one snake that scared the shit out of him every time he had to remove it from her cage and measure it.



Wednesday, May 28, 2014

A STRANGER READS MY BOOK

I noticed her mother first. Stylish and attractive, she was better dressed than most of the churning mob in the Phoenix airport terminal, waiting for their Memorial Day weekend flights. She sat six seats away crammed in with other passengers listening for their boarding calls. An unintelligible announcement barked over the loudspeaker and she stood, leaned down to a woman in her early twenties, who I figured was her daughter, and handed her a carry-on bag. The girl accepted the bag without taking her eyes from the book she held. She continued to read as the older woman made her way through the aromas of food concessions to the restroom area.